Pomellato at the Palais de Tokyo: jewelry on display in Paris

Pomellato at the Palais de Tokyo: an exhibition that reinvents jewelry in Paris

From June 24 to July 20, 2026, the Palais de Tokyo hosts Pomellato, The Revolutionary JewelerThis first Parisian exhibition from the Milanese house invites the public to discover a unique universe. A universe made of gold, colored stones, sculptural forms, and photographic archives. Pomellato is not simply offering a jewelry exhibition. The house is telling a story. The story of a contemporary jewelryDesigned for everyday life, for movement, for self-affirmation. The exhibition highlights heritage creations, current collections, and the great names of the fashion photography.

A first Pomellato exhibition in Paris

The choice of Tokyo Palace This Parisian space is nothing by chance. It embodies contemporary creation. It welcomes artists, designers, photographers, and visitors from all over the world. Its raw architecture creates a striking contrast with the brilliance of the gold, the softness of the stones, and the precision of the settings. This exhibition allows Pomellato to establish itself within a broader cultural landscape. The house is not limited to the boutique. It is engaging with the art scene. It is making its creations accessible to an audience curious about fashion, design, photography, and luxury. Jewelry is thus transformed. It is no longer simply a precious object. It becomes a style statement. It becomes a visual construction. It becomes a fragment of history. This approach perfectly reflects Pomellato's identity, often described as free, colorful, and audacious.

Pomellato, a Milanese house founded in 1967

Pomellato Pomellato was founded in Milan in 1967 by Pino Rabolini. At that time, high-end jewelry was often reserved for special occasions. Precious jewelry was associated with ceremonies, gifts, and family heirlooms. Pomellato chose a different path. The house designed creations intended to be worn every day. A ring can complement jeans. A necklace can complete a white shirt. A gold chain can become a personal signature. This idea seems natural today. Yet it was revolutionary at the end of the 1960s. The concept of ready-to-wear jewelry This then becomes one of Pomellato's great strengths. The jewel leaves the static display case. It enters life. It follows the movements. It accompanies women to work, on trips, to dinner, to important meetings.

Jewelry ready-to-wear: a style revolution

Ready-to-wear jewelry is based on a simple idea: a precious jewel should be wearable without waiting for a special occasion. Pomellato champions jewelry that feels close to the body. Comfortable jewelry. Expressive jewelry. This vision is reflected in the designs. The rings are generous. The chains have volume. The stones draw the eye. The settings remain flexible. Each creation must possess a presence without becoming rigid or overly ceremonial. Pomellato thus offers a different relationship with luxury. Jewelry is no longer just a symbol of wealth. It becomes a way to express oneself. It complements a personality. It accentuates a style. It can be worn alone or layered with other pieces. This freedom appeals to a fashion-conscious clientele. It also attracts those seeking less conventional jewelry. A statement piece. A distinctive color. A ring unlike any other.

Alba Cappellieri, curator of the exhibition

The exhibition is curated by Alba CappellieriDr. [Name], professor, and director of the Jewelry Design department at the Politecnico di Milano, offers her perspective, placing Pomellato within the history of Italian design, fashion, and contemporary jewelry. The exhibition doesn't follow a purely chronological order, but rather is structured around five themes: style, craftsmanship, color, image, and women. This approach makes the visit more engaging and allows visitors to understand what makes the house unique. They discover heritage pieces, recent collections, archival images, and iconic creations, observing the evolution of Pomellato jewelry and gaining an understanding of the coherence of the house's creative language.

The Pomellato style, between sculptural volumes and sensuality

The Pomellato style is based on generous volumes. The jewelry doesn't try to disappear; it embraces its presence. A ring becomes almost a miniature sculpture. A chain adorns the neck. A colored stone instantly transforms a silhouette. This aesthetic departs from traditional jewelry, which is often highly codified. Pomellato favors more organic forms, more tactile, closer to design. The jewelry invites you to look at it. It also invites you to touch it. Sensuality plays an essential role. A smooth stone captures light differently than a faceted one. A supple chain moves with the skin. A cabochon ring creates an impression of softness. These details build the visual identity of the house. The Pomellato style speaks as much to jewelry lovers as to those passionate about objects. A creation becomes a design piece. It possesses form, material, function, and emotion.

Colored stones, the iconic language of the house

THE colored stones They occupy a central place in the Pomellato universe. They allow the house to move beyond an overly classic vision of jewelry. Color becomes an aesthetic choice. It also becomes an emotional one. Blue topaz. Amethyst. Citrine. Prasiolite. Tourmaline. Garnet. These stones bring light, depth, and personality. They create unexpected combinations. They transform the look of a ring, a pendant, an earring. Pomellato does not treat the stone as a mere symbol of value. The stone tells a story. It evokes a season. It interacts with the skin tone. It adds character to a simple outfit. It brings a touch of color to a black or white look. This approach distinguishes the house in the jewelry market. Diamonds remain important. Yet, colored stones allow for the creation of a more personal emotion. They appeal to a clientele seeking unique pieces.

The Nudo collection, an icon of contemporary jewelry

The collection Nudo Nudo represents one of Pomellato's most recognizable symbols. Its name means "naked" in Italian. It evokes the purity of the stone and the simplicity of the design. The Nudo jewel is distinguished by its colorful cabochon. The stone seems almost to float on the band. The setting remains discreet, allowing the color to take center stage. This shape lends a gentle touch to the piece. The cabochon offers a different way of viewing the stone. It doesn't seek to multiply facets, but rather highlights a smooth surface, creating a diffused light and giving the jewel a more tactile dimension. The Nudo collection perfectly illustrates Pomellato's positioning: a recognizable design, a striking stone, a precious jewel, simple wear, and an elegance easily adopted for everyday life.

Fashion photography, a pillar of Pomellato's identity

Photography plays a significant role in the exhibition. Pomellato has collaborated with renowned photographers such as Gian Paolo Barbieri, Helmut Newton, Herb Ritts, Snowdon, Michel Comte, and Horst P. Horst. These photographers have contributed to shaping the brand's image. Fashion photography transforms the perception of jewelry. In a shop window, a ring remains an object. In a photograph, it becomes a narrative. It appears on a hand. It engages in a dialogue with a face. It complements a pose. It can alter the balance of an entire silhouette. Pomellato campaigns have always showcased a free-spirited woman. A woman conscious of her style. A woman who wears her jewelry for herself. This vision has reinforced the brand's modernity. At the Palais de Tokyo, the photographs add further depth to the exhibition. They reveal how Pomellato has used imagery to construct an aesthetic. Jewelry becomes a fashion statement. It becomes a declaration. It becomes a visual language.

Women at the heart of the Pomellato story

The relationship between Pomellato and women is one of the guiding threads of the brand's journey. Since its inception, the house has championed jewelry designed for independence, self-expression, and the pleasure of choice. This message holds a special place in the history of jewelry. For a long time, jewelry was associated with the idea of ​​a gift. It sometimes symbolized a union, a status, or a legacy. Pomellato affirms another possibility: choosing a piece of jewelry for oneself. A ring can celebrate a professional achievement. A necklace can mark a life change. A pair of earrings can become a spontaneous gesture. Jewelry doesn't necessarily require justification. It can simply bring joy. The platform Pomellato for Women This vision is further developed. The brand associates its image with a strong, inclusive, and freely chosen femininity. This statement reinforces its identity and also gives a more contemporary dimension to its message.

The Palais de Tokyo, a contemporary setting for jewelry

THE Tokyo Palace It offers a very different setting from a traditional luxury boutique. Here, jewelry temporarily transcends the act of purchase. It becomes an object to be observed. It becomes a form. It becomes light. The raw architecture of the space creates a contrast with the precious materials. The colored stones stand out more. The gold seems more alive. The creations take on an almost sculptural dimension. The visitor sees things differently. This staging also allows Pomellato to reach a broad audience: contemporary art lovers, design students, photography enthusiasts, fashion professionals, and international visitors. All can discover Pomellato from a new perspective. For the brand, the stakes are high. An exhibition at the Palais de Tokyo fuels desirability. It affirms cultural legitimacy. It creates images. It feeds conversations on social media, in the press, and in boutiques.

A cultural strategy to enhance desirability

Luxury isn't built solely in retail outlets. It's also built in culture. An exhibition offers time. It offers a story. It allows you to observe a product without commercial pressure. Pomellato uses this format to strengthen its image. The house showcases its archives. It highlights its design. It recalls its role in the evolution of jewelry. It also presents its current collections in a richer context. This strategy can create lasting preference. A visitor discovers a gemstone. They remember a photograph. They are drawn to an aesthetic. Later, they enter the boutique with a better understanding of the Pomellato universe. The cultural journey then becomes a point of contact. It prepares a relationship. It fosters loyalty. It transforms the jewel into an object of desire, but also into a memento of an experience.

Pomellato high jewelry, between Milan and Paris

Pomellato remains deeply connected to Milan. This city possesses a strong culture of design, materials, and functionality. The house translates this sensibility into its jewelry. It favors visible lines. It loves volume. It values ​​color Pomellato high jewelry Pomellato takes this approach further. The creations use rare stones. They combine surprising colors. They develop complex settings. Yet they maintain a direct relationship with the body. The jewelry must not seem inaccessible. It must remain alive. It must be worn. It must move with the wearer. This vision distinguishes Pomellato from many more traditional houses. Paris offers the Milanese brand an international stage. The French capital has a rich history in haute couture, luxury, decorative arts, and fashion photography. This exhibition allows Pomellato to engage with this heritage without losing its Italian identity.

Why is this exhibition of interest to fashion enthusiasts?

L'Pomellato exhibition It goes beyond jewelry. It appeals to fashion enthusiasts. It shows how a piece of jewelry can structure a silhouette. How a photograph can create an icon. How a colored gemstone can become a style statement. The exhibition reminds us that jewelry contributes to overall look. It doesn't just complete an outfit; it can be its starting point. A large, colorful ring can transform a classic shirt. A gold chain can alter a minimalist dress. A pendant can draw the eye to a neckline or a high collar. Pomellato thus champions jewelry that is closely linked to fashion. Jewelry that evolves with tastes. Jewelry that respects traditional craftsmanship. Jewelry that maintains a free and independent style.

What Pomellato says about the evolution of luxury

Contemporary luxury can no longer rely solely on its history. It must make that history visible. It must give it form. It must make it felt. Exhibitions thus become essential tools for luxury brands. Pomellato doesn't simply display jewelry. The brand stages a vision. It shows that value doesn't rest solely on metal or stone. It also rests on design, image, craftsmanship, and emotion. This exhibition at the Palais de Tokyo This confirms a major shift. Jewelry houses are also becoming cultural players. They construct narratives. They produce images. They create experiences. They seek to remain present in the public consciousness. For Pomellato, this first Parisian event therefore represents much more than just an occasion. It affirms an identity. It celebrates a history. It opens a new dialogue with fashion, design, photography, and the women who wear the jewelry.

French sources

• Palais de Tokyo, “Pomellato, The Revolutionary Jeweler”.
• Journal du Luxe, “Jewelry: Pomellato exhibits for the first time in Paris”, June 24, 2026.
• Le Monde, “At the Palais de Tokyo, the sophisticated universe of the jeweler Pomellato staged by great fashion photographers”, June 19, 2026.